The exact purpose of the Unlikely Ikons series is considered sacred by some and sacrilegious by others. Most often, the meaning behind this artwork is ambiguously understood.

Despite my lack of religion, I am a great admirer of religious art, particularly the icons of the Greek Orthodox Church. I find there is a depth of symbolism and intricate uniformity that is unique to the culture and style of iconographic art.

Traditionally, icons are meant to depict holy individuals in their "eternal state" resulting in the stylized appearance widely recognized in icons. Without the need to adhere to a realistic representation, the icon is the perfect medium through which to visually convey what the religious believe is transcendent inexpressibility.

The symbolism of iconography extends beyond the easily recognizable cross (held in the right hand of a martyr) or scroll (representing one's writings) for example. Details such as color, dimensions, stylized features, etc. also hold meaning relevant to the holy subject's life or the church's teaching. MonasteryIcons.com describes another example saying, "Even the geometric folds of their clothes speak of a heavenly order and balance."

Those familiar with icons will notice the set structure and consistency of the images from ancient to modern times throughout the history of this art. Most iconographers follow a set archetype for each icon whether it is a saint, Mary, Jesus, etc. making them easily identifiable even without the title included. This practice is all in keeping with the tradition and spiritual process of painting an icon.

The enigmatic stories and dualistic natures of subjects like Lucifer and Judas Iscariot are what originally inspired my icons. This led on to the creation of the Holy Family II icon (Jesus, Mary Magdalene, and daughter Sarah) because of the stories' controversial challenging of church doctrine. I decided to have some fun with the Flying Spaghetti Monster icon in light of the threats of pseudo-science being taught in schools. My final icon depicting Giordano Bruno is truly meant to be a "religious" icon for the irreligious. An image of inspiration to those willing to stand up for free thought even in the face of death.

My aim with these icons is to provoke thought. To challenge one's original conceptions of these prominent subjects, holy, unholy, or imaginary. I understand that many may see my icons as offensive and irreverent. However, my attempts at unorthodox iconography arise from a sincere admiration for iconographers and their devotion in this art. There is a fascinating history and culture in icons and I encourage those interested to learn more and perhaps even give it a try themselves.